Paksworld

Writing is not like a box of chocolates.   Writing is a hike through a wood that seems familiar (especially Paksworld) interspersed with time spent in the present tense, and the interaction of these two universes in ways that (after this many books and stories) might be expected to be familiar though I know it won’t be.  Paksworld waits for me to enter it.  This world shoves itself in my face when I’m trying to follow a faint trail in Paksworld…forced me out of it, and into this, usually with something unpleasant, but sometimes with sounds or sights or people that are sheer delight.

Before I forget to mention a useful one from today: I had gone down for a brief rest in the afternoon, suddenly felt “It’s time to get up NOW” and got up, put on more warm stuff, and went out to feed horses.  Richard came with me to make sure the water got done.   I put out their feed, opened the gate, let them into the barn where they went peacefully (no pinned ears, no hoisted hind hoofs) into their respective stalls and started eating.  Richard had brought in several more buckets of decomposed granite.  I felt energized by the rest enough to bring in four more.  Dark clouds had shown to the south, obviously headed this way.  Got the fourth bucket in and poured, stamped it down, put the shovel and bucket away.  Tigger indicated he’d like a cookie or several.  I gave him several, petting him between them,which he tolerated.  Rags looked on with envy but kept eating his hay.  We left the barn; the rain started, very lightly.

OK, so problem.  4843 word chapter in Horngard II that–temporally speaking–belonged in Horngard I but did not fit it well.  For one thing its setting is in southern Fintha…MC is Arvid, others are his mentee, Jakard, whom none of you have met yet, Arvid’s son Arvi,  and (very briefly) the yeoman marshal of Arvid’s grange.  So it’s a long way from the main line of action; the only overlap is Gwenno Marrakai when she (mumble-mumble-mumble not to spoiler the book.)   Gwenno encounters Arvid & Jakard once, briefly.   She’s on the main line of the plot; they aren’t.  Clearly, that puzzle piece of 4843 words did not belong in Horngard I.  Horngard II?  It was originally the second chapter of H-2. It got pushed sideways along the tracks, with more of the immediate outcome of H-1 shoving in quite reasonably.  H-2 continued to grow, skipping over Arvid and Jakard.   I should have pulled it out right then, but it was a compelling chapter, with some really powerful bits in it.  Meanwhile its story got more and more out of both place and time with H-2…it’s written contemporaneous to about 2/3–3/4 of the way through H-1, still in late summer, and now, in H-2, it’s winter.   And it’s still not main plotline for H-2.  So I was going to pull it out right after Thanksgiving.  Yesterday, Friday, having forgotten about an earlier problem I had with the new Word and Copy/Paste, I marked it off carefully from the rest and attempted the Copy/Paste.

WORD HAS ENCOUNTERED A PROBLEM   No hint of what the problem was (other than long, and THEN I remembered I’ve had problems with this new word not wanting to do a simple copy/paste even within a file at times.  Sometimes I can copy/paste an image into Word and sometimes I can’t. )   It was late by then because I had goofed off watching videos of saber exercises from several sources on You Tube, so I put it away to argue with today.  Today it still would not copy paste that chapter.   WORD HAS ENCOUNTERED A PROBLEM.  Checked all the steps, tried again.  WORD HAS ENCOUNTERED A PROBLEM.   Infuriating.  No information about WHAT problem.  Or WHAT to do about it.  Or link to more information.

Word used to copy paste smoothly…any length.  Now it doesn’t.   Why would they change something that useful?  Why had they changed the equally useful Cut/Paste?  I imagined trying to copy/paste maybe 10 words at a time…how long that would take, what a waste of my time.    So I posted a query on Facebook–this is my problem, is there any easy fix?  One person suggested one.  I went back to Word to see if it would work…and the selected words, all 4843 of them…disappeared.   I didn’t have time to follow the instructions I’d been given.  What did I do?  I have no idea.  Moreover, I knew (because most of the chapter had been written several months ago) that I could no longer expect to rewrite it easily, even though I read it yesterday as I was selecting the text.  I know the story (who did what to whom and what a different who thinks about that) but the details, the small things that made the passage come vividly alive…are gone.

As this had begun to turn on me, as some stories do, I will probably take this opportunity to grab it by its collar, shake firmly, and say “Nobody wants a grimdarkdepressing story in the midst of the grimdarkdepressing crap we’re all living through so…let’s see what horribles will fall out of your pockets and turn this into a serious *but bearable* story.   A story in which Jakard just may survive.

And now for Sword Talk.   Here are a few of the websites I’ve been looking into. 1)  Schola Gladiatoria, Matt Easton owner I’ve mentioned before.  Deals in antique weapons, is involved in historical re-enactment events in UK, runs a HEMA club in London, teaches a variety of historical weapons, enjoys sparring with light sabers as well as synthetic and steel swords of various kinds.  Background in history, archaeology, and more.   Big site, plenty to learn.  Frequently co-sponsors a video with Tod’s Workshop (Tod makes replica weapons and also does research on how they function.  2) The Winged Sabre Historical Fencing Channel, Russ Mitchell, owner.  Discovered this week while looking for more beginner saber exercises.   His background includes human anatomy in relation to movement and conditioning.  I’m very impressed with his “clean practice” approach and his approach to “the anxious fencer.”   (Clean practice means doing every movement precisely correct, so that in an emergency you do it much closer to right than you would if you practiced “slapdash” moves.  You don’t practice until you can to it right…you practice until you can’t do it wrong (or hardly ever.  Those of you were hoping to snicker about “dirty practice” in another direction…go stand in a corner.)  His Hungarian Hussar Saber warmups will be my next set of things to work on.  I already have a lifetime of injuries of various kinds, so, as mentioned before, taking this slow.   More later…long after midnight due to othr stuff.

A week of working with the saber and I’m definitely getting more of a feel, including the feeling of sore shoulders, forearms, and hands.   But right-handed, I can hold the saber out straight in front, arm straight, with much less quivering, and raise the tip and lower the tip to level again, over and over and over….twice as many up/downs as when I started.    Then rotating the wrist, thus the blade, so that sharp edge is to the outside/down, outside/down ten times, then inside/down, inside/down, inside/down ten times.   Elementary first steps to controlling the blade.  Switch to left hand, which is weaker.  More quivering in the straight front hold (even today)  then on the right.  Can’t do as many up/down or rotational turns as with the right…but more than I could do on the first day.

Whole-arm swings, to loosen up, in a figure-8 pattern, right handed first for a gradually increasing number of swings,  then left handed , passing hand to hand in the middle.  Then added another exercise on Thursday:  elbow “motionless” as much as possible at my side, wrist only moving blade in figure 8 swing without letting my right shoulder lean sideways or forward.  A work in progress, not there yet.   Several other exercises, also not yet mastered, but working on them.

I’m working on both sides, because I have a big strength difference between left and right that I want to reduce, not because it’s in any of the written or demonstrated exercises.   The one-sidedness goes back to the encephalitis I had as a child, which left my left side much weaker for quite a while and was exacerbated by playing tennis in HS–right-handed–which selectively strengthened the already strong side and left the weaker side to itself.   I’m thoroughly enjoying the saber and hope I end up “straighter” on top after another half year or so.

Meanwhile this week Horngard II is sitting at 32.8K words in spite of everything else that’s gone on.

Clearly I need a stronger core, stronger arm, a lot more practice, and above all something other than what I’m wearing, but the sun came out after all the clouds and rain, and I have a new blade.  And as the middle picture shows by the way the light hits it, one impressive edge.

Writing about sword-wearing, sword-using characters, and then handling some antiques owned by others, pushed me to indulge my own long-term interest in blades.   Some of mine are blades I used in fencing lessons (with SCA instructors) and those have been more or less permanently blunted.    I bought a bated (blunted from birth, so to speak) longsword when I needed to see what it felt like to carry, how hard it was to handle in indoor spaces and in the woods, etc.   It was very helpful to get that physical feel of it, especially walking around and through ordinary obstacles.  I have a few sharps, on which I practiced slicing things and poking things to see what it felt like (and also because it’s fun to slice the bottom lumps off  2 liter plastic bottle hanging from a tree limb when it’s full of water and the water squirts out and…yeah.  Juvenile fun with swords.)  But all of it (including the spear, the bill, and some other more period bits I have) have contributed a lot to scenes in which someone is doing something with a sword, spear, bill, etc. When I borrowed a scythe and scythed some tall grass, that was another experience that enhanced my writing about Gird.  Same with the crossbow.  No amount of just reading or watching movies or videos can provide the body-feel of handling things yourself, whether it’s kneading a loaf of bread, digging a ditch, riding a horse, knitting a sock, or…using a weapon.

I was gifted a gorgeous USMC Mameluke officer’s sword by friends who knew I hadn’t been able to get one at the time, but I don’t “play” with it…it needs sharpening (barely sharp now) by someone more expert than I am.  It has a curve, and it’s definitely a weapon, not just a display item.

But as the Paksworld books have progressed, and I’ve studied more about swords, I’ve wanted to add a lighter-armed cavalry type to the mix in some areas.  And I’ve long wanted a curved blade that I didn’t feel as protective of, as I do my dress sword.    I have a character now, in Horngard I and II, Nasimir Clart, owner/commander of Clart Cavalry, who is a quintessential cavalry man, familiar since Xenophon wrote about horse training and cavalry operations in ancient Greece, and described vividly (for the 19th century) in the excellent series of books by Allan Mallinson, about a young officer’s career through the Napoleonic wars  and beyond.   And I could not envisage Clart without seeing someone with lance and saber.

So when Matt Easton of Schola Gladiatoria, one of my online sources of info on antique weapons and fighting styles, had a review of a reproduction of the 1796 pattern British Light Cavalry saber that he thought got all the details right, right down to the distal taper of the blade…I was hooked.  It is a substantially “beefier” blade than the Mameluke,  much wider and heavier, with a deeper curve, trading grace, speed, and ease of maneuver for power.  So here it is, side by side with its scabbard.

I’m reasonably sure Nasimir Clart chose a different hilt…something he would find more stylish that also gave more hand protection than the simple knuckle-bow here.   But for me, this will do just fine.  It was getting dark by the time I got back from feeding the horses this evening…discovered it on the porch on the way out…so I didn’t have time after unboxing it to change into something more appropriate to take a picture of the first swings with it, but yes…I took it outside (it’s WAY too big to swing around inside) and found the balance strange in one way but quite nice once I started swinging it from the position to cover the back to various cuts in front.  This is a saber for serious cavalry combat in the lightly-or-no-armored style.   I will be doing things with it, for the same reason I used the others…it’s research.  That it’s also fun and good exercise is beside the point.  I absolutely did not buy a saber for the fun of it.   (Stop laughing, you there in the back.)

Behind the scenes work is going on to reorganize the “research” end of Paksworld.  One of the things I need, post concussions, is an easier place to look things up within the fictional world the Paks books are written, to maintain continuity between them as I work on new ones.   I spent hours over the weekend trying to find  the name of the best bootmaker in Valdaire, and checking out that a certain first name hadn’t been used for the opposite sex, at least not recently.  But we want that “place to look things up” to be useful to you readers, too.

So this is a call for help.  What would YOU like to see in a collection of info on Paksworld?  What are questions YOU have that aren’t answered in the material already provided.   Do you have great ideas for enhancing such a compendium that you’d like to see tried out?    What is it you *don’t* want to see in such a pile of facts?   I can put you in touch with the person who is doing the heavy-lifting on this (my hands already being full with Horngard II and some shorter stuff AND trying to get the house more in order AND other lifestuff).

Eventually we want to extend this project to the other fictional worlds, so someone who wants to know a character name in a Vatta book, or wonders if a character in the Serrano-Suiza books is related to another character, can find out, but since I’m working in Paksworld right now, that comes first.  (And there are more books, and WAY more words, in the Paksworld group than in the any of the others.