Paksworld

The proof copy of Deeds of Youth, that’s what!

Because I’m a writer with a fat glob of Ego, I took a picture of it lying on its padded yellow envelope for posterity or at least later gleeful gloating over just as I’m sitting here now with the book beside me, periodically opening it and reading more.  Yes, I could call up the stories on the screen and read them off the file, but…it’s a real, physical BOOK, with pages, and I can look at it and touch it  and feel the smoothness of the pages and (on and on and on.  Did I remember to admit the large glob of Ego?  Yes?  OK.

I really, really needed to see another new book with my name on it.  Yes, some of the stories were published before but…in this format, it’s new.

I can’t remember if I’ve listed the contents before, so I’ll do that now.   I know I have said before that the protagonists in the stories (each different) are older in each successive story.

“Bad Day at Duke’s East”

“The Dun Mare’s Grandchild”

“Dream’s Quarry”

“Gifts”

“First Blood”

“Mercenary’s Honor”

“Consequences”

Realizing now I should’ve taken a picture of the inside somewhere too.  DUH.  Tomorrow, maybe.  You can see by the shadow it’s not just a cover flat kind of thing, it’s got thickness.  But I’ve typoed almost every word in this sentence…BED NOW!

This week I finished (for now, anyway) a Paksworld story that does not involve any swords, any fighting, anything (as some would say) exciting.    But Paksworld, though founded on adventures of the military sort, is a bigger world than that.  Behind every military society is its nourishing civilian root system.   Even the nomadic tribes of Central Asia, even the ones who trained girls as warriors and considered a young woman marriageable only when she proved brave enough to kill, had a civilian root that kept the warriors alive from birth until they qualified, and fed them and clothed them afterward.  Somebody cared for the herds, trained the horses, tanned the hides that made the leather armor, made the saddles and bridles and bits.  Somebody milked the mares and sheep or cattle, made the cheese, ground the grain for meal or flour to make the noodles or dumplings.

The big civilizations in our world depended on agriculture, yes…but also on trade.  No one place had every useful mineral:to make bronze, you need copper and tin both.  Traders came to ancient Britain for tin.  So in Paksworld, resources are distributed unevenly…and as a result expertise is distributed unevenly.  A maritime culture must have an abundant source of wood…and something you can make sails from…the kind of sail material affects the sails you can make from it, how heavy they are (and thus how they stress the wood they’re hung from.)   A horse-using culture must have an abundance of grass nutritious for horses and terrain they an run on.  If you want a society that uses wheels, be sure you provide them with what it takes to make useful wheels in both simple and more advanced forms.

In this story, “Bank Transfer,” the setting is in the most advanced human culture that invented world has: Aarenis.  It has cities and towns with quite competent stone and wood buildings.  It knows how to mine, refine, and fashion tools and weapons of steel (though stone blades are not unknown, just always considered old and rare.)   Its trade networks span much of the continent, with regular movement of food, raw materials, manufactured goods from place to place, and local manufacture of goods in most towns and cities.   Its monetary system is unified across Aarenis by the Guild League, the association of most occupational guilds to form a strong political and economic force, and intersects with other monetary systems by clearly understood exchanges under the authority of the Moneychangers Guild.  For the registered members, paper exchange has been replacing  (at least for short terms) the movement of physical coinage.   A letter of credit between a bank in the South and one in the North allows a loosening of supply during the winter, when no physical travel is possible.  In the near term and close by, a banker can issue a draught–a letter–to one of its depositors, and it functions like one of our paper checks used to…the bank and the gulld its member bank belongs to guarantees payment.  The process itself is different: a draught for, say, 100 natas (a large sum)  is carried by the bank customer, and will be annotated with the amounts due to as many merchants as it takes to use up the amount, with their signature.  It’s normal for a draught to be in use only within a set time (1-3 days is common)  and for a set number of recipients, within one city.  It saved the customer having to walk around with a large, thief-tempting, amount of coinage.   And it’s useless to thieves, unless they’ve killed the customer and stolen their seal, which is stamped on each annotation on the draught, as well as the merchant who collects from the bank.

So in this story a woman in her early thirties is a trader–a sutler, a supplier to the military, any military.  She’s near the bottom of the sutler hierarchy: she has only one wagon, she’s not as busy as she wants.  Her father was a one-wagon trader; her grandfather came to Valdaire with a pushcart, selling whatever he could, often rags.  She and her blind sister live in a building she inherited, along with the business, about 12 years ago when her father died.  She and her sister live in one room of that building (she has rented out the rest, except for part of the ground floor and cellar, where she stores what she sells and the horses that pull the wagon)  and her life is tightly constrained by her responsibilities and the effect of a theft shortly after her father died.  She’s working hard, but not making progress toward an easier life.  When opportunity appears, she must not only choose between risk and opportunity, but convince her banker–and others–that she is capable of turning opportunity into actual profit.  (It is not an accident that I see her in her early thirties…my mother was thirty-two when she fled from an unsafe marriage and traveled almost 2000 miles (it may have been more, given the old roads back then) and started a new life as a mother, after I was born.  Grethna isn’t pregnant, has never been married, but the journey she undertakes has distinct echoes, to me.)  What Grethna has is the stolid kind of courage that persists and persists and persists.  How will she deal with her banker, who still thinks of her as a mere girl?   How will she deal with this opportunity that beckons but demands abilities she’s not sure she has?

The story has major spoilers for the book that’s Horngard I (I hope someday in reality!)  and thus can’t reasonably be published until I find out whether Horngard I will be published, and wait out its birthing.  Meanwhile I’ll be thinking about whether Grethan is thickening into character who might generate enough plot for a full book, or a longer piece.  Why not just write that?  Because Horngard I needs to come first.  I started this story right after the faceplant, when I had the quite reasonable fear that this new head injury might permanently put me back to “no longer able to write.”  I knew I wouldn’t know the full extent of the concussion’s damage for at least two months, maybe more, because that’s how long it takes to assess  a repeat concussion.  What you get the week right after isn’t the full story….things could get worse or better.  So I started a story intended to be fairly simple and short, as a test: can I still “round” a plot to a conclusion, and tighten it into a good solid, satisfying knot.  After the 2018 concussion, I couldn’t.  Not for years.  I’ve done that now, and my two best first-readers agree.

However, it was not an easy task, and  I can tell the concussion has left residual damage.  It will take longer to work it all out and see how much, but…at least I can write a short, relatively simple, piece.   Now to write another, about something else.  I wouldn’t mind being stuck in Paksworld for the rest of my life, but I’d like the ability to switch back to SF occasionally if I can.  The two types seemed to generate stories for each other 20 years ago.   Only way to know is to start something short there, too.

However again, when it’s not past bedtime on a hot summer night in Texas, I will hunt up a snippet of Horngard I  as soon as I can.  You deserve it.

Third However….Sharon Lee & Steve Miller have a new book Liaden Universe book coming out, SALVAGE RIGHT, and it’s a fast-moving fascinating book.   Science Fiction with autonomous self-aware ships and space stations, characters that include many-times-reborn not-exactly clones, Liadens, Terrans, persons not easily defined, spies embedded in rescue organizations, wheels with wheels within weirdness, the Uncle’s unsociable sister, mysterious holdovers from a previous universe, a norbear, instances of Korval’s Tree, and much, much, more.  We finally see the end (I hope!) of the old Tinsori Light, but not the end of the Lyre Institute for Exceptional Children, alas.

Sometimes I doodle for awhile.  Sometimes a doodle is inspired by something some real artist put up online, that I saw while doing *legitimate* research.  In this case there was an image of a hill, a giant hump on the image, with fields going straight up and down and little doohickies representng different crops in different stripes.   And a tree or two at the top of the hill.  My doodle was also based on previous doodles when I outlined a space (sometimes square, sometimes triangular, sometimes octagonal, sometimes, as here, a rectangle) and filled it with other shapes and then treated the other shapes with textural notation (dots or lines) to suggest…something.  Occasionally color.  The recent re-organization of the office meant that my colored pencils were now…handy.  I love colored pencils.  (And inks, and paints and so on, but the PENCILS were handy.  Sp were some 3 x 5 cards, pastel colored, lined on one side and plain on the other.    I had already, a previous week, doodled another of my filled shapes with what suddenly looked to me like the English countryside views I see when indulging in horse videos.    And that B&W doodle inspired this one, which isn’t quite complete but was a “could this work for a landscape, given the limitations of size, media, the green card instead of a white background and so on.   I got to draw fiddly lines , play with the colored pencils, regret some of the lines, and then figure out what to do with the sky so it would look hot and summery and like there was a nice rainstorm over there on the far side of the near hills.  Then I had to get the thing into a camera (cellphone camera, n this case) and fiddle around until I remembered the fairly cockamamie way my cellphone can have images sucked out by the computer.

I”m not thrilled with it (why it’s not completely colored in, among other things) but I like the concept, and I like working in a small, well-defined space.  Yes, there’s a river, and a reservoir, and a variety of crops, and some woods, but…even finishing the coloring won’t fix its fundamental problems on the right side, and my white pencil barely shows the cumulus cloud structure, thanks to the green background.  OTOH it was fun and made good “breaks” in the writing work now and then.   I’d fill one section then let it sit, then later another one.  Other doodles of the week were all scratchy B&W, inspired by fighting with a ballpoint until it agreed to write again and then seeing what I could make of the strong up-and-down-slanted strokes of the “YOU WILL WRITE!” argument.  As soon as I “crossed” them with scribbles they looked like a coniferous woods (sort of!).

None of this is great art.  It’s mind-cleansing when stuck, though, and that works for me.

I have finished (structurally) another story in Paksworld, although it’s still in the polishing phase.  I would like it to be a tight little thing about 5000 words, but of course it would like to stretch all boundaries and and grow…so I’m patiently snipping sprouts and hoping the topiary approach works.

It is a Horngard side story and some of it occurs while exciting & suspenseful things are happening in Horngard, which is why if shared now it’s spoilerish…no, actually it IS a spoiler if shared whole.  Or maybe…(eyeing it sideways and up and down)…it’s spoilering several aspects of Horngard I.   On the other hand, it’s a bouncy, energetic story and I’m happy with it and am dying to share it.  I would’ve shared it with a good friend last night or this morning, to get her comments (she gives excellent comment) BUT I’m having problems with phone quality, hers and mine, and her husband can be impatient, and was in an impatient mood today, it seemed like.  He, like one of their sons, is usually in a mood to hurry someone along, which I find very tiring these days.  It’s also affected her ability to listen and respond to the whole store, since she said it was starting too slowly one paragraph in. That’s not like her, and neither of the other first readers (both now unavailable)  commented that this draft’s beginning was slow.

ANYway.  Since she’s hundreds of miles away at this point and he seems to be charging around at full speed wanting her to come along here, come along there, I’m extremely tempted to share one ore more snippets with you, steering around the things you should not know, before having read Horngard I.   Maybe just talk about the protag, who’s a new person on the scene here.

Grethan D’Anzo is a small (one-wagon) trader specializing in supplying mercenary units with foodstuffs.  A sutler, in fact.  She’s the senior partner in the inherited business (“D’Anzo Sutlers”) with her sister, who is blind.  Small traders are often used by larger traders to provide part of an order, and since a small trader can’t afford to hire guards for their one wagon, they usually join the caravan of a larger trader, who charges a fee for the services the large trader provides: guards for the whole caravan.  This of course reduces the already smaller profit of the one-wagon snall trader.  They are often limited to trade within one city and its immediate environs.   The Sutlers Guild grades sutlers by their reputation for  the *volume* of goods sold.   This often (usually) determines what level of licensing they can achieve in each city where they do business.  And *that* is revealed by how many digits their license has.  Low-numbers are great numbers.  Four digit numbers…much lower tier.  Grethan has a 4-digit license in Valdaire and can’t even get a license in Foss Council cities: she’s considered not worth a space in their markets.

So when she realizes a new market may be opening somewhere else, she wants to pack a wagon and go, hoping to get there in time for a low-number license.  But she’s never been there, it’s a long way, there may be a war, and it costs to take time off and lose even the piddly profit she can make where she is.   If she makes it, she’ll be much better off, but if anything goes wrong, she’ll be in a hole deeper than she’s been.