May 30
Posted: under Contents, Limits of Power, snippet.
Tags: characters, snippet May 30th, 2013
As King Mikeli’s younger brother has demonstrated in previous books, he’s an impetuous, energetic youngster with a gift for ending up in difficulties. He’s also warmhearted, well-intentioned (in his own way) and brave. He was supposed to be one of those minor characters who decorates the margin of the story, illuminates the context of major […] [...more]
As King Mikeli’s younger brother has demonstrated in previous books, he’s an impetuous, energetic youngster with a gift for ending up in difficulties. He’s also warmhearted, well-intentioned (in his own way) and brave. He was supposed to be one of those minor characters who decorates the margin of the story, illuminates the context of major characters. However, Camwyn did not stay marginal. Quite the contrary. Rather like Arvid, in that respect, he showed up at the oddest times, doing things that put him center stage.
It’s not that Camwyn wants to cause trouble for himself or others. But a lightning rod person will always snag any electricity around, and he does. Hence…a snippet. By keeping it annoyingly short, I can just barely avoid spoilers, but may it bridge the gap over A-Kon, when I won’t be around to post anything. Read the rest of this entry »
May 24
Posted: under Crown of Renewal, Revisions, the writing life.
Tags: revision, the writing life May 24th, 2013
So today, the nitpicking round it is ongoing, and it’s…always interesting. Nitpicking has various uses. One of them can be shortening a book that’s too long (too long defined by publishing economics.) I think I’ve posted before about some of the shortening strategies. But this book isn’t too long, so nitpicking is aimed at other […] [...more]
So today, the nitpicking round it is ongoing, and it’s…always interesting. Nitpicking has various uses. One of them can be shortening a book that’s too long (too long defined by publishing economics.) I think I’ve posted before about some of the shortening strategies. But this book isn’t too long, so nitpicking is aimed at other goals. Tyops of course, like that one right there. Not just letter reversals and misspelled words, but words mistakenly typed in place of others. “Heard” for “herd.” “Policed” for “pleased.” (Don’t ask how I did that one…I don’t know. Brain burp. It wasn’t in this book.) Anything that sticks out as awkward, bothersome, annoying, confusing. For instance:
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May 23
Posted: under Crown of Renewal, Good News, the writing life.
Tags: progress report, the writing life May 23rd, 2013
Crown of Renewal, by a nose, despite all the obstacles in its path as reported in breathless gasps by Crown’s disheveled jockey: [...more]
Crown of Renewal, by a nose, despite all the obstacles in its path as reported in breathless gasps by Crown’s disheveled jockey: Read the rest of this entry »
May 19
Posted: under Crown of Renewal, the writing life.
Tags: progress report, the writing life May 19th, 2013
It’s been a very trying race for Crown of Renewal‘s jockey, as we were blocked, forced back, had mud kicked onto us, tried to find holes…had those holes abruptly filled by another horse’s big broad butt, were bumped hard, found other holes, some of which led nowhere at all except to more bumping and fending […] [...more]
It’s been a very trying race for Crown of Renewal‘s jockey, as we were blocked, forced back, had mud kicked onto us, tried to find holes…had those holes abruptly filled by another horse’s big broad butt, were bumped hard, found other holes, some of which led nowhere at all except to more bumping and fending off other jockeys’ whips. In fact, all the other horses in the race were trouble: Fickle Fate, Interruption, New Assignment, HellVirus, Bad Timing, Pain in the Neck, Complication, Accident, Family Crisis. All ridden by jockeys with the intent of ruining Crown‘s race. Read the rest of this entry »
May 16
Posted: under Craft, Crown of Renewal.
Tags: craft of writing, research May 16th, 2013
The hierarchy of writing-research starts with personal experience. If you have ever cooked a meal, mucked out a stall, driven a car, or fallen out of a tree, you have a wealth of sensory inputs as well as intellectual understanding of those experiences available to use in a story. You know, in the most direct […] [...more]
The hierarchy of writing-research starts with personal experience. If you have ever cooked a meal, mucked out a stall, driven a car, or fallen out of a tree, you have a wealth of sensory inputs as well as intellectual understanding of those experiences available to use in a story. You know, in the most direct way, what it’s like.
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May 13
Posted: under Craft, Crown of Renewal.
Tags: craft of writing, mistakes, progress report May 13th, 2013
After multiple false starts, the braid is well on its way…and it gets easier as it goes along. It would have been nice to be here a month ago…no, two months ago…but all the braids back then tangled into impenetrable knots. And all because I kept starting at the wrong point. If you mistake the […] [...more]
After multiple false starts, the braid is well on its way…and it gets easier as it goes along. It would have been nice to be here a month ago…no, two months ago…but all the braids back then tangled into impenetrable knots. And all because I kept starting at the wrong point. If you mistake the beginning, nothing else fits.
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May 02
Posted: under Craft, the writing life.
Tags: craft of writing, the writing life May 2nd, 2013
Anyone who’s taken a journalism class, or written for a newspaper, is familiar with the “Five Ws” which–canonically–are supposed to be at the head of the story. Also with “inverted triangle” structure. Most of the time, novel structure is not the same, but keeping readers oriented to person, place, and time is–for most, not all–important. […] [...more]
Anyone who’s taken a journalism class, or written for a newspaper, is familiar with the “Five Ws” which–canonically–are supposed to be at the head of the story. Also with “inverted triangle” structure. Most of the time, novel structure is not the same, but keeping readers oriented to person, place, and time is–for most, not all–important. Even more important–though hidden from readers–is keeping the writer oriented to the Five Ws (and more.)
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