{"id":1466,"date":"2012-02-02T15:31:03","date_gmt":"2012-02-02T21:31:03","guid":{"rendered":"http:\/\/www.paksworld.com\/blog\/?p=1466"},"modified":"2012-02-02T15:31:03","modified_gmt":"2012-02-02T21:31:03","slug":"weasel-wording","status":"publish","type":"post","link":"http:\/\/www.paksworld.com\/blog\/?p=1466","title":{"rendered":"Weasel-wording"},"content":{"rendered":"<p><a href=\"http:\/\/www.vondanmcintyre.com\/\">Vonda N. McIntyre<\/a> (a writer whose work I hope you&#8217;ve read)\u00a0 has been posting some snarky comments about\u00a0 the verb &#8220;seem.&#8221;\u00a0\u00a0\u00a0\u00a0 It seems that some writers seem to find a reason to seem uncertain about things going on in their books&#8230;they seem unable to say what someone felt, only what someone seemed to feel, seemed to think, seemed about to do, etc.\u00a0\u00a0 &#8220;Seem&#8221; has its uses (every word has its uses) but some words seem to fit a writer&#8217;s need not to say exactly what he\/she means.\u00a0\u00a0 Thus, &#8220;seem&#8221; upholds the banner of &#8220;weasel-words.&#8221;<\/p>\n<p><!--more-->Weasel-words coat clean, functional, strong, sharp-edged prose with a softening layer of doubt, uncertainty, indecision, and faux-courtesy.\u00a0\u00a0\u00a0 (The last is more common in conversation.)\u00a0\u00a0 Weasel-words cut the power of strong active verbs.\u00a0\u00a0 &#8220;He seemed to think&#8221; rather than &#8220;He thought.&#8221;\u00a0\u00a0 Notice that not only does\u00a0 &#8220;seem&#8221; lack the conviction of &#8220;thought&#8221; but &#8220;thought&#8221; itself has been reduced from an active form to an infinitive, pushed out of the verb place into that of a &#8220;what&#8221; (what he seemed&#8230;)\u00a0 They add words (padding), something known to most students told to write an essay of a given length.<\/p>\n<p>And weasel-words pass unnoticed when writing because they&#8217;re not grammatical errors.\u00a0\u00a0\u00a0 &#8220;They seemed to be uncomfortable&#8221; is not wrong, the way\u00a0 &#8220;They is uncomfortable&#8221; is.\u00a0\u00a0 It doesn&#8217;t stick out as wrong; it sounds like normal speech; no junior high English teacher will flag it with a red pencil.\u00a0\u00a0\u00a0 We hear weasel-words every day; we hear them, see them, use them, without paying much attention to them.\u00a0\u00a0 They smooth utterances out; they&#8217;re an easy way to provide comfortable prosody.\u00a0\u00a0 We all use them.\u00a0 I use them.\u00a0 (I try to edit them out, but this morning I found three snuggled into the corners of half a chapter.)\u00a0\u00a0\u00a0 Recognizing when these perfectly grammatical constructions are appropriate, and when they&#8217;re weasel-wording,\u00a0 takes persistence and enough self-doubt to examine the phrases critically.<\/p>\n<p>But Vonda&#8217;s right:\u00a0\u00a0 overuse of &#8220;seem&#8221; leads to flaccid, dull, writing, and the same is true of other weasel-words.\u00a0\u00a0\u00a0 I won&#8217;t list or give examples of every form of weasel-wording, but for those who want cleaner writing, here are some to watch out for in your own work.<\/p>\n<p>When you see verb forms other than ordinary active (past, present, or future)\u00a0 you may be looking at weasel-wording.\u00a0 \u00a0 Infinitives are easy; that handy &#8220;to&#8221; catches the eye. \u00a0 Assisting the infinitive-form of weasel-wording are weak active verbs\u00a0 (seem, begin, want, try, start, etc.) \u00a0\u00a0 As the writer puts down whatever scenes are passing through the writer&#8217;s mind,\u00a0 it&#8217;s very easy&#8211;automatic, in fact&#8211;to use these everyday, not-specific-enough verbs with an infinitive. \u00a0\u00a0 &#8220;He <em>seemed to be trying to say<\/em> something.&#8221; \u00a0 &#8220;She <em>began to feel<\/em> strange.&#8221; \u00a0 &#8220;They <em>started to sense <\/em>danger.&#8221;<\/p>\n<p>What could replace those uncertainties, those nonspecific phrases?\u00a0\u00a0\u00a0 What shows the POV character that&#8221;he&#8221; is &#8220;trying to speak?&#8221;\u00a0\u00a0 Use those details.\u00a0\u00a0\u00a0 What kind of &#8220;strange&#8221; did &#8220;she&#8221; feel (dizzy, blurred vision, nausea, euphoria?)\u00a0 What senses contributed to the sensation of danger?\u00a0 (Sound or silence?\u00a0 Something unfamiliar?\u00a0 Movement or stillness?)<\/p>\n<p>Infinitives are easy to spot as &#8220;not being a verb right this minute&#8221;\u00a0 but other forms, also common in weasel-wording, sneak past the quick look.\u00a0 Progressive forms, for instance.\u00a0 &#8220;He was running&#8221; instead of &#8220;He ran.&#8221; \u00a0 \u00a0 Sometimes they occur on their own, but sometimes they, too, have helpers.\u00a0 Often those helpers are weaker or unspecific verbs (thought, felt, considered)\u00a0 but Vonda&#8217;s unfavorite &#8220;seem&#8221; gets in the act too.\u00a0\u00a0 &#8220;He thought about cleaning the room.&#8221;\u00a0 &#8220;He felt like resting until lunch.&#8221;\u00a0\u00a0 &#8220;She seemed to be catching a cold.&#8221;<\/p>\n<p>Notice that&#8211;except in dialogue, a different animal altogether&#8211;these phrases don&#8217;t do much to move the book along or make a situation clearer.\u00a0\u00a0 In real life, it may be different, though we all know the difference between<em> thinking about<\/em> losing weight or cleaning the house and actually doing something concrete to move the process along.\u00a0\u00a0\u00a0 We know that <em>feeling like<\/em> resting or working or going to the movies isn&#8217;t doing it.<\/p>\n<p>So when writing (not <em>thinking<\/em> about writing)\u00a0 those suspicious phrases require a second, very analytical, look.\u00a0\u00a0\u00a0 It&#8217;s true that actions have beginnings and endings, but is it important to the story that Jack and Jill <em>began to go<\/em> up the hill?\u00a0\u00a0 Or that they <em>went<\/em> up the hill?\u00a0\u00a0\u00a0 At some point Jack started his fall&#8211;but does that matter, or\u00a0 &#8220;Jack fell down and broke his crown?&#8221;\u00a0\u00a0 As if to prove that a sometimes-weaselly word may be perfect in another setting, there&#8217;s &#8220;And Jill came tumbling after.&#8221;<\/p>\n<p>Modifiers also contribute weasel-words to the average text.\u00a0\u00a0\u00a0 I pruned one out this morning.\u00a0 A character &#8220;almost shook his head&#8221; .\u00a0\u00a0\u00a0 The non-action conveyed nothing of the personality and did not move the plot along or contribute to the understanding of the situation.\u00a0\u00a0\u00a0 Almost-but-not-quite shaking a head is&#8230;nothing, really.\u00a0\u00a0\u00a0 Either he shook his head, or he didn&#8217;t shake his head&#8230;and that&#8217;s assuming there&#8217;s a reason to notice and care which.\u00a0\u00a0 Would a head-shake matter?\u00a0\u00a0\u00a0\u00a0 Out came &#8220;almost shook his head.&#8221;\u00a0 Nobody saw;&#8217; nobody cared.\u00a0\u00a0\u00a0\u00a0 In other places I&#8217;ve found I&#8217;ve written &#8220;almost hungry,&#8221;\u00a0 &#8220;almost too tired,&#8221; &#8220;almost finished.&#8221;\u00a0\u00a0\u00a0 As with the travel-weary child in the back seat, whose &#8220;Are we there yet?&#8221; isn&#8217;t soothed with &#8220;Almost,&#8221;\u00a0 the word has been used so much that we aren&#8217;t soothed to find it in every other paragraph.\u00a0\u00a0 We should be almost over almost.<\/p>\n<p>And I am definitely over this post (looking at the time and the work remaining for the day.)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Vonda N. McIntyre (a writer whose work I hope you&#8217;ve read)\u00a0 has been posting some snarky comments about\u00a0 the verb &#8220;seem.&#8221;\u00a0\u00a0\u00a0\u00a0 It seems that some writers seem to find a reason to seem uncertain about things going on in their books&#8230;they seem unable to say what someone felt, only what someone seemed to feel, seemed [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[61],"tags":[62],"class_list":["post-1466","post","type-post","status-publish","format-standard","hentry","category-craft","tag-craft-of-writing"],"_links":{"self":[{"href":"http:\/\/www.paksworld.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1466"}],"collection":[{"href":"http:\/\/www.paksworld.com\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.paksworld.com\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.paksworld.com\/blog\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.paksworld.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1466"}],"version-history":[{"count":2,"href":"http:\/\/www.paksworld.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1466\/revisions"}],"predecessor-version":[{"id":1468,"href":"http:\/\/www.paksworld.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1466\/revisions\/1468"}],"wp:attachment":[{"href":"http:\/\/www.paksworld.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1466"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.paksworld.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1466"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.paksworld.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1466"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}